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Bibliography

Source 1

Bauman, Richard. 2004 “A World of Others' Words- Cross-Cultural Perspectives on Intertextuality.” Oxford-Blackwell. https://doi.org/10.1002/9780470773895.

Source 2

Boling, Kelli. March 30, 2020.  “True Crime Podcasting: Journalism, Justice or Entertainment?” Radio Journal: International Studies in Broadcast & Audio Media. https://www.academia.edu/42398605/True_crime_podcasting_Journalism_justice_or_entertainment.

Source 3

Boling, Kelli S., and Kevin Hull. April 16, 2018. “Undisclosed Information—Serial Is My Favorite Murder: Examining Motivations in the True Crime Podcast Audience.” Journal of Radio & Audio Media 25, no. 1 (n.d.): 92–108. doi:10.1080/19376529.2017.1370714.

Source 4

Gaither, Eric. 2021. University of Arkansas at Little Rock, ProQuest Dissertations Publishing. 28712995.

Source 5

KEELER, AMANDA. 2021 “Listening to the Aftermath of Crime: True Crime Podcasts.” In Saving New Sounds: Podcast Preservation and Historiography, edited by Jeremy Wade Morris and Eric Hoyt, 124–34. University of Michigan Press. http://www.jstor.org/stable/10.3998/mpub.11435021.11

Source 6

Peters, Fiona. 2020 “True Crime Narratives.” Crime Fiction Studies 1, no. 1 (2020): 23–40. https://doi.org/10.3366/cfs.2020.0005.

Source 7

Sims, Martha, and Martine Stephens. 2011. Living Folklore, 2nd Edition. Logan: Utah State University Press.

Source 8

 Wiltenburg, Joy. December 2004. “True Crime: The Origins of Modern Sensationalism.” The American Historical Review. https://doi.org/10.1086/ahr/109.5.1377. 

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